Joint birthday celebration for Harriet and Megan, with Tony, Flora, and Felicia over.
Previous to this,
out and about,
preparing for same. Post, produce instrumental parts for Portraits of ___ (Some Multipe of 3) Women: V. Jackie in the Southwest.
High 62 (10 Days 70's, 37 Days 60's / 12 Days 50's).
Rehearsal at Diablo Valley College for The Opus Project presents Opus 26, including
Arnold Schoenberg (1874-1951)
Wind Quintet, Op. 26 (1924)
III. Etwas langsam [Somewhat slowly]
Jean Sibelius (1865-1957)
Finlandia, Op. 26 (1900)
Alexander Scriabin (1872-1915)
Symphony No. 1 in E Major, Op. 26 (1900)
Ralph Vaughan Williams (1872-1958)
Fantasia on Christmas Carols (1912)
The Truth Sent from Above [Herfordshire Carol, 1909]
Gustav Holst (1874-1934)
Choral Hymns from the Rig Veda [1200 BC], Op. 26 (1912)
First Group - I. Battle Hymn [of Indra]
Igor Stravinsky (1882-1971)
Song of the Nightingale (1917)
Anton Webern (1883-1945)
Das Augenlicht [The Light of the Eye], Op. 26
(1935, Hildegard Jone, 1891-1963)
Sergei Prokofiev (1891-1953)
Piano Concerto No. 3, Op. 26 (1921)
II. Tema - Andante
Paul Creston (1906-1985)
Alto Saxophone Concerto, Op. 26 (1941)
II. Meditative (Conclusion)
Mark Alburger (b. 1957)
Sinfonietta, Op. 26 (1984)
Scott Sterling (b. 1970)
DotSotR: Dancing on the Steps of the Round (2010)
Alberto Ginastera (1916-1983)
Quartet No. 2, Op. 26 (1958)
I. Allegro rustico (Excerpt)
Albert Roussel (1869-1937)
Two Poems of [Pierre de] Ronsard [1524–1585], Op. 26, No. 1 (1924)
I. Rossignol, mon Mignon (Nightingale, My Beauty)
George Enescu (1881-1955)
Cello Sonata No. 2 in C Major, Op. 26, No. 2 (1935)
III. Andantino cantabile, senza lentezza
Oliver Knussen (b. 1952)
Songs Without Voices, Op. 26 (1992)
IV. Adagio e rubato (Introduction)
Out afterwards with
Carole Cloud and Paul Mooney,
down to Cybercopy for parts-and-scores preparation, also produce the former for Portraits of ___ (Some Multiple of 3) Women: IV. Marlena somewhere in there -- high falling 7 degrees to 68 (10 Days 70's, 36 Days 60's / 12 Days 50's)... 2 degrees cooler still (66) in Pleasant Hill.
Quiz 7 for the Diablo Valley College Theoreticians -- the musical examples drawn from the works of J.S. and C.P.E. Bach, W.A. Mozart, Franz Xaver Gruber, and Frederic Chopin --
making a beeline
thereafter west for a
coiffe and beyond to errands in Marin,
including arranging for standard vehicular maintance,
producing the instrumental parts for Portraits of ___ (Some Multiple of 3) Women: III. Eve,
on finally the 10th day of summer, high 75 (73 Pleasant Hill, 74 San Rafael).
Review of Week 7 material with the Diablo Valley College Music Theoreticians,
to produce the instrumental parts for Portraits of ___ (Some Multiple of 3) Women: II. Arizona Diva as the
high 66 (9 Days 70's, 35 Days 60's / 12 Days 50's), 70 again in Pleasant Hill.
W.A. Mozart Sonata in C Major, K. 545, for Dictation / Keyboard-Solfege / Board Harmony, with Riley Foster serving as a 21st-century young-composer-performer analogue thereafter.
returning, via yet another new print cartridge, to begin the instrumental parts for Portraits of __ (Some Multiple of 3) Women, with I. Teacher in Red Glasses, high 69 locally (9 Days 70's, 34 Days 60's / 12 Days 50's) and a bona fide summer-temp 70 in Pleasant Hill.
J.S. Bach Cantata No. 140 ("Wachet Auf"): VII for Dictation / Board-Harmony with the Theoretians
finishing the vocal score re Portraits of ___ (Some Multiple of 3) Women, specifically XV-XI (79 pages total),
over engaging Egyptian exhibitions. High 63 locally (9 Days 70's, 33 Days 60's / 12 Days 50's) and in Pleasant Hill.