Michael Caulfield's marvelous Composition 5 as an early prelude to later wonders to come,
following Howard Shore's Lord of the Rings: The Shire as Dictation /
Board Harmony,
antedating the earlier class's close encounter, shall we say, with John Williams's Star Wars: The Force.
Between these, Owen's endeavors.
Before
all
this,
the
commute;
after,
home to compose page 10 of Raising Messiah, beginning No. 4 Rag "He's a Barefoot, Tangled", in the company of Megan and Harriet, on the 58th day of summer, high 84 (again 81 in Pleasant Hill). Also continue Totem Variations, Op. 238, with Ancestor II, a second variant, theoretically manifesting Chromatic Harmony, but abandoned in favor of permutations re Cage's wonderful basslines...
