A preview of Week 5 material with the Music Theoreticians, including Chords in C Major and Louis Borgeois's Old Hundredth as Dictation / Keyboard-Solfege / Board Harmony,
plus Quiz 4 (the examples drawn from Organa, the Orkney Islands, Leonin, Perotin, Richard the Lionheart, and Medieval Dances).
Composition, lunch, and blitz over to visit
Carol Reynolds at Berkeley's Alta-Bates,
then rendezvous with
Aldan Jenks and
Harriet March Page to discuss the former's Afterlife,
Chevy's
Emeryville
and
homeward
thereafter
on
the
blisteringliest day of the year, high 109 (202nd day of summer, 23 days 100+, 79 and 127 at-or-beyond-90 / 80; 105 Pleasant Hill, 89 Oakland),
for books,
videos, and editing / score-studying...
Page 13
Alma Maria Schindler Mahler Gropius Werfel: 1888 Alma Maria Schindler, Op. 232, No. 10
Page 12
Sergei Prokofiev The Love for Three Oranges: March (concluding this endeavor)
Page 7 Benjamin Britten Peter Grimes: Act III - Interlude V
