Up and out very early, grading papers, before (at last)
the rendezvous with the Music Historians, for matters Renaissancian, and beyond...
D Major Scale (Key Signature - Two Sharps - F#, C#)
D E F# G A B C# D
A Major Scale (Key Signature - Three Sharps - F#, C#, G#)
A B C# D E F# G# A
E Major Scale (Key Signature - Four Sharps - F#, C#, G#, D#)
E F# G# A B C# D# E
E Minor Scale (Key Signature - One Sharp - F#)
E F# G A B C D E
Three Typical Genres of Baroque Music (and Typical Subsections)
Opera
Overture
Recitative
Aria (Duet, Trio, Quartet, etc.)
Chorus
(etc.)
Suite
Overture
Dance I
Dance II
(etc.)
Concerto
Fast
Slow
Fast
J.S. Bach's Dates, Three Stylistic Periods, and Types of Music Written)
(1685-1750)
Weimar - Organ
Cothen - Instrumental
Leipzig - Vocal
Listening
[8567] Claudio Monteverdi - Vespers: I. Deus in Adjutorium (God in the House)
[8585] Heinrich Schutz - Saul, Saul
[8659] Henry Purcell - Dido and Aeneas: Dido's Lament (When I Am Laid in Earth)
[8678] Antonio Vivaldi - Gloria: I. Gloria
[8685] J.S. Bach - Organ Fugue in G Minor ("Little")
[8685] G.F. Handel - Messiah: Hallelujah
***
Dress rehearsal for San Francisco Composers Chamber Orchestra Tales of the Wanderers (8pm, Saturday, October 10, Performance at Park Presidio UMC, SF): Martha Stoddard Horse,
Allan Crossman Impromptoodle,
Mark Alburger Sejong the Great,
Lisa Scola Prosek Lucaria, Michael Kimbell Golden Gate Barcarole,
Stardust A la recherche du temps perdue.
Before this,
the very early commute, teaching, printing more music for the evening rehearsal,
brief
afternoon at home,
leaving
again,
via
37 West,
South,
and
1 --
camping out at Cafe Coco briefly, and proceeding to the practice.
Home late, composing page 4 of Four Michaels (Zodiac Concerto, after The Book of Jude), Op. 245, on the 231st day of summer, high 93 (94 days 90+, 151 80-or-more)...
